Most of you are already familiar with the idea of document analysis worksheets. These sorts of tools are perfect for scaffolding historical thinking skills for your kids. Some of the best, created by the Library of Congress and the National Archives, have been around for years. I also really like the stuff created by the Stanford History Education group, especially their Historical Thinking Chart.
We should be using all of those evidence analysis tools with our kids. They can be especially helpful for training elementary and middle school students to gather and organize evidence while solving authentic problems. And for high school kids without a strong background in historical thinking skills, the tools provided by the LOC, NARA, and SHEG are incredibly handy to help guide their thinking.
But what about other types of graphic organizers? Are there some organizers you should be using but aren’t? Spoiler alert. Yes.
Before we jump into the fabulous five, a quick graphic organizer 101 review.
Brain research tells us that mental images are powerful tools that support cognitive tasks and that by creating unique mental pictures, our students deepen their understanding, attach new information to prior knowledge, and create new learning. Graphic organizers are “visual and spatial displays that arrange information graphically so that key concepts and the relationships among the concepts are displayed” (Gunter, Estes, and Mintz 2007).
They can present information textually, with images or symbols, or a combination of both. Graphic organizers give kids a clear strategy to gather, process, organize, and prioritize information. All things that are encouraged by Common Core lit standards, the NCSS national standards, and the Kansas social studies document.
Okay . . . what five graphic organizers should all social studies teachers be using but probably aren’t? Continue reading 5 graphic organizers you’re probably not using but should be
It shouldn’t come as a surprise to any of you that I am a huge Google Earth nerd. I love geography. I love maps. I love Google.
It’s a simple formula. A + B = C. Maps + Google = Google Earth nerd.
So when Google pushed out an online version of GE this week, all was right with the world. At least until I started digging into it a little bit. Don’t get me wrong. Any time I can play with an online Google tool, it’s a good day.
The new version does have a few cool features. But I’m just a little disappointed that the online version released this week is missing some of the sweet features of the desktop version. But let’s start with the good stuff. Continue reading New Google Earth. Great! And . . . meh.
One of the easiest but most effective strategies for having younger kids work with primary sources is called Crop It. In some ways, it’s a lot like my Evidence Analysis Window Frame but I really like the flexibility embedded in the Crop It idea. The idea is pretty simple: students use L-shaped paper “cropping” tools to explore a visual primary source.
One of the problems that we often face is finding ways to help students see details – and to make sense of those details – when viewing a primary source. Photos, paintings, and graphics can contain a ton of specifics that get missed if students don’t take the time to look for them.
Crop It slows the process down so that students scan a source at a deep level and think about what they’re looking at. It gives them a way to find evidence, see multiple viewpoints, and gain a more detailed understanding of a primary source.
This strategy works especially well with elementary and middle school students to help them develop and support historical thinking. And the cool thing is that you can use it with all sorts of visual sources. Continue reading Use Crop It tools to help elementary kids think historically
You all know photographer Dorothea Lange. If not Dorothea herself, you’ll recognize her famous candid photos taken during the 1930s highlighting the struggles of Americans suffering during the Great Depression. Her iconic Migrant Mother and the series of photos around that image depict the desperation many felt during the period.
Later in 1942, she was hired by the US government to capture images of the relocation of Japanese-Americans affected by President Roosevelt’s Executive Order 9066. Thousands of American citizens were being stripped of their civil liberties, their businesses, and their homes before being placed in internment camps scattered around the country.
Lange was originally opposed to the idea but accepted the task because she thought “a true record of the evacuation would be valuable in the future.” But after reviewing her photographs and their portrayal of the Japanese American experience, the military became concerned how the images of the internment program would be received by the public. Continue reading 75th Anniversary: Executive Order 9066